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The Foundry , Hoxton, London,UK   
 
 
 
 
Buster Keaton  
Balfron Tower, London (1963) Erno Goldfinger   
 
Japanese acoustic locators (1930s). from Steve Goodman 'Sonic Warfare: Sound, Affect And The Ecology Of Fear'. MIT Press 
The Yes Men   
Tulpan (2008), Sergei Dvortsevoy   
Camp for internally displaced students and academics (27 May 2010), Save Middlesex Philosophy   
Sally Mann   
It felt like a kiss (2009), Adam Curtis  
  
The Crack-Up (1936), F Scott Fitzgerald By God, if I ever cracked, I’d try to make the world crack with me.
The Weather Underground (2002), Sam Green and Bill Siegel   
Die innere Sicherheit (2000), Christian Petzold  
Capitalism: A very special delirium (2009), Felix Guattari (...) It would be strange to rely on a party or state apparatus for the liberation of desire. To want better justice is like wanting better judges, better cops, better bosses, a cleaner France, etc. And then we are told: how would you unify isolated struggles without a party? How do you make the machine work without a state apparatus? It is evident that a revolution requires a war machine, but this is not a state apparatus. It is also certain that it requires an instance of analysis, an analysis of the desires of the masses, yet this is not an apparatus external to the synthesis. Liberated desire means that desire escapes the impasse of private fantasy: it is not a question of adapting it, socializing it, disciplining it, but of plugging it in in such a way that its process not be interrupted in the social body, and that its expression be collective. What counts is not the authoritarian unification, but rather a sort of infinite spreading: desire in the schools, the factories, the neighborhoods, the nursery schools, the prisons, etc. It is not a question of directing, of totalizing, but of plugging into the same plane of oscillation. As long as one alternates between the impotent spontaneity of anarchy and the bureaucratic and hierarchic coding of a party organization, there is no liberation of desire. 43
Il Deserto Rosso (1964), Michelangelo Antonioni      
Autumn/Winter 2010, Dries van Noten   
Ad Reinhardt   
Eshu (2002), Shaun Leane for Alexander McQueen 
Die Leere Mitte (The Empty Centre, 1998), Hito Steyerl   
Le fond de l’air est rouge (1993), Chris Marker   
A Man Asleep (1967/1974), Georges Perec   
Kontakthof mit Teenagern ab 14 (1978/2009), Pina Bausch 
Judith Butler, philosophe en tout genre (2006), ARTE
Paris is burning (1990), Jennie Livingston   
What does it mean to be a revolutionary today? (Marxism 2009) Slavoj Žižek / Alain Badiou on Hardtalk
Sympathy for the Devil (One plus one, 1968), Jean-Luc Godard   
D'Est (From the East, 1993), Chantal Akerman   
La cicatrice intérieure (1972), Philippe Garrel. music: Desertshore (1970) Nico 
L'Enfer (1964), Henri Georges Clouzot  
Karl Valentin, ca 1905   Clement Chabernaut 
La Pianiste (2010), Louis J Connelly   
  
The Lawyers - A German Story (2009), Birgit Schulz    
The Last of England (1988), Derek Jarman 
 
Okay Okay der Moderne Tanz (1980, BRD) Christoph Dreher & Heiner Mühlenbrock  
Unter weißen Tüchern (1983, BRD), Cornelia Schleime 
Blurred Vision (2010), Prose Studio  
Atsuhiro Ito / Peter Brotzmann / Otomo Yoshihide   
Cleo de 5 a 7 (1966), Agnes Varda   
An Image (1983, BRD), Harun Farocki    
Harun Farocki           Christiane F (1981), Uli Edel. music: David Bowie 
Erwin Wurm  
Ai WeiWei     
Modern Times (1936), Charles Chaplin 
Zlin - Modellstadt der Moderne    
The Practice of Everyday Life (?), Michel de Certeau ... the goal is to perceive and analyze the microbe-like operations proliferating within technocratic structures and deflecting their functioning by means of a multitude of 'tactics' articulated in the details of everyday life; contrary, in that the goal is not to make clearer how the violence of order is transmuted into a disciplinary technology, but rather to bring to light the clandestine forms taken by the dispersed, tactical, and makeshift creativity of groups or individuals already caught in the nets of "discipline". Pushed to their ideal limits, these procedures and ruses of consumers compose the network of an antidiscipline.xiv
Squatting the Georg von Rauch Haus, Berlin Kreuzberg ?        
The Nature of the Beast (2009), Goshka Macuga  
Just Imagine! (2005?), BANK JUST IMAGINE CLOSING DOWN Burma VJ (2009), Anders Ostergaard / DVB  
Sutra (2009), Sidi Larbi Cherkaoui / Antony Gormley / Shaolin Monks  
Song (2009), Rosas   
Bande a Part (1964), Jean-Luc Godard 
Keeping Still (2007), Rosas   
American Psycho (1991), Bret Easton Ellis  |
